Big news from Coldplay, one of my favorite bands. This is the album artwork, which they just released today, for their new album, which is due in June. The name of the album is “X&Y”

Heres the just released track listing, as well.
1. Square One
2. What If
3. White Shadows
4. Fix You
5. Talk
6. X&Y
7. Speed of Sound
8. A Message
9. Low
10. The Hardest Part
11. Swallowed In The Sea
12. Twisted Logic
Some interesting song titles, for sure. I admit, I am on quite the Coldplay kick lately. The Scientist, In My Place, Yellow, Marianne, and some others have also been making frequent appearences in the playlist.
Also, saw Sin City the other night. I’m no comic book geek, but it kicked ass. Im too lazy to write a full review tonight, so Ill just copy and paste someone who I agree with. I edited out the spoilers for your enjoyment. Much thanks to Mike McGranaghan at http://www.geocities.com/gamut_mag/sincity.htm

“A lot of times, we throw the expression “comic book movie” around a little too loosely. Spider-Man 2, for instance, is a movie about a comic book hero, but it doesn’t necessarily look like what’s actually on the printed page. Sin City, on the other hand, is a movie that really does look like a comic book (excuse me – graphic novel) come to life on a screen. Simply on a visual level, the film is mind-blowing. I was in awe of the style from beginning to end. This is not just a visual spectacle, though; Sin City uses its groundbreaking images to enhance the themes it deals with. The resulting package is nothing short of amazing.
Filmmaker Robert Rodriguez used Frank Miller’s graphic novel as a direct blueprint for Sin City’s visual style.
Sin City pretty much defines the term “adaptation.” Director Robert Rodriguez (who also made the Spy Kids and El Mariachi series) used Frank Miller’s books as his storyboards; the images you see onscreen are essentially the same ones you see on the page, and the dialogue is lifted right from the books as well. It may well be the most faithful adaptation of anything ever. Interestingly, Rodriguez had Miller on set and gave him a co-director credit since the film adheres so closely to the graphic novels. This went squarely against the rules of the Directors Guild of America, so Rodriguez quit the group. (A “special guest director” credit also goes to Quentin Tarantino, who helmed one scene.)
As you can tell, Sin City is set in a world full of serial killers and prostitutes, corrupt politicians and child molesters. The gritty, grimy quality of the story is not exploitive, though. Miller and Rodriguez are interested in exploring the sometimes ambiguous quality of morality…The film’s dark, CGI-heavy look suits the material perfectly. Everything is shot in black and white, but strategic objects are in color: a woman’s eyes, the taillights of a car, a bottle of pills. College students could have a field day interpreting the use of color in this movie. The eye is immediately drawn to anything colored, and it typically reveals some important piece of information or illustrates a particular emotion. Other times, the images are starker. There are long, dark black shadows punctuated by objects that shine an almost blinding whiteness. (Child molester Kevin is framed totally in black except for the white lenses of his glasses; the look is chilling.) There’s lots of blood on display too. Occasionally it is colored red but often it’s white, like paint being splattered about. In order for the film to effectively deal with morality issues using these characters and locales, it is crucial for it to create an entire fictional world and then convince us that it’s real. The visual look achieves this to perfection, allowing us to really feel like we’re visiting this gritty, grimy, dangerous city.
A stellar ensemble cast also proves crucial to the movie’s success. I really liked the relationship carved out by Bruce Willis and Jessica Alba. They do a fantastic job of bringing a little piece of purity to the otherwise dismal Basin City. Willis, Owen, and Rourke do a fine job with the voiceovers, which perfectly capture the interior monologue “thought boxes” that are commonplace in comic books and graphic novels. Mickey Rourke also gives his most vibrant performance in years; it’s a treat to see his portrayal of Marv. I have not even had room to mention some of the other players, like Powers Booth, Michael Clarke Duncan, Josh Hartnett, Alexis Bledel, and Rutger Hauer. They’re all here, and they’re all good.
Sin City is the kind of thing that’s right up my alley. One of the main reasons for going to the movies is to be transported to someplace else. Like another of my favorites, Dark City, this film immerses you in its made-up world. I love the look, I love the themes, and I love the way the actors bring the characters to life. Sin City is a dark, disturbing, enthralling masterpiece.”
That sums it up pretty well. The visuals were outstanding, and the story was entertaining. Also, it has a kick-ass song during the trailer – Cells by The Servant. My friend Kate turned me on to the tune, and its fabulous. As good as the movie – I’ll probably go see it again. Go see it yourself. You’ll thank me later.